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Inflated Oasis tickets utterly depressing – government promises review of dynamic pricing

inflated oasis tickets utterly depressing government promises review of dynamic pricing business manchester

The government’s decision to review dynamic pricing comes after outrage over inflated ticket prices for the Oasis reunion tour.

Culture Secretary Lisa Nandy described the situation as ‘incredibly depressing’, promising that the matter will be investigated in an upcoming review.

Government to Review Dynamic Pricing Policies

The government has pledged to examine dynamic ticket pricing systems after prices for the Oasis reunion tour soared dramatically during sales. The Culture Secretary, Lisa Nandy, described the situation as “incredibly depressing” and confirmed that the issue will be included in a government review of the secondary gig sales market.

On Saturday, eager fans waited in virtual queues for hours to secure tickets for Oasis’s highly anticipated reunion shows. However, many were disheartened to find that ticket prices had surged well beyond their face value, in some cases more than doubling.

Outrage on Social Media

Fan frustration was palpable on social media platforms after tickets worth £148 were being resold for £355 within hours of their release. The dynamic pricing system was blamed for these inflated prices.

The anger among fans was clear. One fan lamented, “Time to look back in anger,” capturing the sentiment shared by many who felt priced out of the shows.

Government Action and Statements

Ms Nandy announced over the weekend that the review would also examine the “technology around queuing systems which incentivise” inflated pricing. She stated, “After the incredible news of Oasis’s return, it’s depressing to see vastly inflated prices excluding ordinary fans from having a chance of enjoying their favourite band live.

The government aims to “put fans back at the heart of music” by making the ticket sales process more transparent and fair, hoping to address the issues caused by dynamic pricing and queuing systems.

Additionally, Ms Nandy emphasised the need to work with artists, the industry, and fans to create a system free from touts and rip-off resales, ensuring tickets are sold at fair prices.

How Dynamic Pricing Works

Dynamic pricing was introduced to combat ticket touts and ensure more revenue goes to the artists. Under this system, prices fluctuate based on demand and supply.

When demand surges and supply is limited, prices can rise significantly. Ticketmaster, for example, uses dynamic pricing for its “Platinum” tickets, which adjust in price according to real-time market demand.

The company asserts that artists, their teams, and promoters set the prices and decide whether to use dynamic pricing for their shows.

Ticketmaster has highlighted that the dynamic pricing model aims to provide fair and safe access to tickets while allowing stakeholders to price tickets closer to their true market value.

Broader Implications of Dynamic Pricing

Dynamic pricing isn’t just found in the music industry; it’s prevalent in other sectors such as travel, where hotel rooms and airline tickets often fluctuate in price based on demand.

The system has faced criticism from various quarters, including artists who feel it can be unfair to fans. Frequent Taylor Swift collaborator Jack Antonoff has voiced concerns, stating that artists should be able to opt out of dynamic pricing and set their own ticket prices.

The controversy surrounding dynamic pricing continues to elicit strong reactions from both fans and industry stakeholders, many of whom call for greater transparency and fairness in ticket pricing.

Personal Experiences and Reactions

Government minister Lucy Powell experienced the frustrations of dynamic pricing first-hand, paying more than double the original cost for an Oasis ticket due to the system.

Her experience mirrors that of many fans who felt they were being priced out of attending live events by greedy pricing mechanisms.


The government’s promise to review dynamic pricing offers a glimmer of hope for fans who have long felt exploited by the system. By examining the technology and policies behind ticket sales, there is potential for a fairer system that prioritises genuine fans over profit-driven resales.

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